SEARCH RESULTS FOR: Jimmie Lunceford
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(Bandleader, arranger, 1902–47) While working as a music teacher in Memphis, Mississippi-born Lunceford formed a band called the Chicksaw Syncopators. They first recorded in 1930 and after four years of touring gained a residency at the Cotton Club and became the Jimmie Lunceford Orchestra. Renowned for its polished stage presence, the band was nevertheless musically tight and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Clarinet, 1895–1944) The most fluid and graceful of the classic New Orleans clarinetists, Noone worked with trumpeter Freddie Keppard (1914) and also with the Young Olympia Band (1916) before following Keppard to Chicago in 1917. A member of King Oliver’s first Creole Jazz Band (1918–20), he also played in Doc Cooke’s Dreamland Orchestra (1920–26) before forming his popular Apex ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Although routinely – and fairly – described as the father of country music, Jimmie Rodgers (1897–1933) was actually something more. Having established himself in that genre, he gradually moved towards mainstream popular music and, but for his early death, would probably have found a niche there. So far as country music is concerned, though, his ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental duo, 1927–33) The sound of the steel guitar has been part of country music almost from the beginning. An influential early exponent was Jimmie Tarlton (1892–1979), who partnered singer-guitarist Tom Darby (1891–c. 1971) in a series of duet recordings between 1927 and 1933, including two of the biggest hits of the period, ‘Birmingham Jail’ and ‘Columbus Stockade ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, 1899–2000) Born in rural Louisiana, Davis first made his name singing on radio station KWKH in Shreveport. From 1928 onwards, he was a popular recording artist, initially with sentimental and cowboy songs, then with raunchy blue yodels in the manner of Jimmie Rodgers. These included ‘She’s A Hum Dum Dinger From Dingersville’ and ‘Bear Cat ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1930s–50s) Jimmie Revard And His Oklahoma Playboys formed one of the best and most prolific of early western-swing bands. Revard (1909–91) was from Oklahoma but his band was based in San Antonio, Texas; the original band included Adolph and Emil Hofner, among others. In their heyday, the Playboys struggled locally to compete with The Tune ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, 1909–79) Born in Blue Lick, Kentucky, James Skinner performed on radio stations in Knoxville, Tennessee, Huntington, West Virginia and elsewhere, worked in Nashville as a successful songwriter and also owned and operated a popular record store in Cincinnati, Ohio, for years. Styles & Forms | War Years | Country ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, folklorist, 1907–98) James Corbett Morris, born in Mount View, Arkansas, started writing songs for the entertainment and edification of his students when he was a schoolteacher. He later penned some country classics, including ‘Tennessee Stud’ (a hit for Eddy Arnold in 1959), ‘The Battle Of New Orleans’ (a No. 1 single for ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, 1897–1933) Jimmie Rodgers, ‘The Singing Brakeman’, struggled against poor health and the rigours of the road to forge a new American folk music that would influence country music for generations. Rodgers wrote songs like ‘T.B. Blues’, ‘Travelin’ Blues’, ‘Train Whistle Blues’ and his 13 ‘blue yodels’. Rodgers’ voice and inherent honesty attracted legions of listeners. Rodgers developed ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Folklorists, John Avery Lomax 1867–1948; Alan Lomax 1915–2002) John Lomax was born in Goodman, Mississippi and raised near Fort Worth, Texas. Although his initial interest lay in cowboy songs, a pre-teen friendship with a servant named Nat Blythe sparked an interest in black music. With the 1910 publication of Cowboy Songs And Other Frontier Ballads, his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, vocals, arranger, composer, 1910–88) Sy (Melvin James) Oliver was one of the finest of all big-band arrangers, and a capable instrumentalist and singer as well. His major associations included the bands of Jimmie Lunceford, Benny Goodman and Tommy Dorsey, and he also led his own bands at various times, from the mid-1940s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleader, trombone, trumpet, 1905–56) With the break-up of the Dorsey Brothers Orchestra, Tommy Dorsey quickly hired the Joe Haymes Orchestra en masse and built a new band to his specifications. For all the talent it would attract, however, it would always be built around the leader’s warm trombone sound and flawless perfection on ballads. The ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The most influential country act of 2001 was a band that didn’t even exist. The Soggy Bottom Boys were the prime attraction on O Brother, Where Art Thou ? the soundtrack album that topped the country and pop charts and sold more than four million copies. The group revived the late 1930s and early 1940s sound when old-time string-band music ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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